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Together, Becoming: Liturgy, Poetry, and Art for Shavuot 5781

 

New from Bayit’s Liturgical Arts Working Group comes this collaborative compilation of liturgy, poetry and art for this second pandemic Shavuot. Exploring themes of standing together at Sinai (even when we’re apart), the harvest of first fruits, the mountain where we journey and the mountain over our heads, being “ownerless” in the wilderness, and more, these poems and prayers and illustrations are meant for personal and communal use. We hope they speak to you and open you more wholly to this year’s revelation.

(You can find all of the Liturgical Arts Working Group’s offerings on our webpage here.)

The image at the top of this post is by Joanne Fink.

Download the collection:

Together, Becoming – Shavuot 2021 from Bayit [pdf]

 

Here are tastes of what’s here:

APPLES
I will hold you again.
I will see you play guitar.
I will sing next to you.
I will not be afraid to laugh…

— from “Yom Ha-Bikkurim, Day of First Fruits– A Ritual of Renewal,” R. Sonja Keren Pilz

In every generation, we’re told to see
ourselves rising from Egyptian bondage,

gathered at the mountain wholly asmoke
as one spirit, one heart: for just an instant

murmured infighting would quiet
for the whispered whoosh of eagles’ wings.

What wouldn’t we do to ride that updraft,
soaring skyward, weightless and free?…

— from “What Wouldn’t We Do,” R. David Evan Markus

…This year
I go nowhere
except Zoom rooms.
I want to soak in presence
like a hot bath, but
digital is what there is.
This is wilderness…

— from “Hefker,” R. Rachel Barenblat

HaShleimut, Blessed Holy Wholeness
Bless those who got us to Sinai
The ones who fed us
The ones who kept us safe
The ones who healed us…

— from “A Shavuot Blessing For Essential and Sacred Workers,” Trisha Arlin

There’s always some mountain held over our heads.
Here ragged granite thrusts skyward from desert sands,
There petrochemicals punch holes in the ozone layer…

— from “Overhead,” R. David Markus (accompanied by an illustration by Steve Silbert)

This year, did we really need to count the Omer?
Between the election numbers
The popularity polls
The voting
And the dead millions
Haven’t we had enough counting?…

— from “Chag Ha-Atzeret (Day of Stopping),” Trisha Arlin

…suddenly
I am redeemed
like the booklets
of green stamps
my mother gave me
to tend…

— from “Weeks,” R. Jennifer Singer

We have journeyed together;
A journey with no ending;
And yet, after months turning into a year,
We see the mountain top
At the horizon.
Holding our breaths…

— from “An Ending,” R. Sonja Keren Pilz

The collection also features artwork by Steve Silbert and Joanne Fink.

 

Download the collection:

Together, Becoming – Shavuot 2021 from Bayit [pdf]

 

        

Liturgy and poetry by Trisha Arlin, Rabbi Rachel Barenblat, Joanne Fink, Rabbi David Evan Markus, Rabbi Sonja Keren Pilz, and Rabbi Jennifer Singer.  Artwork by Joanne Fink and Steve Silbert. Find all of our bios on the Builder Biographies page.

Yearning For Our Plague to End: Lag Ba’Omer 5781 / 2021

New from Bayit’s Liturgical Arts Working Group comes this collaborative compilation of poetry and art for Lag Ba’Omer. The 33rd day of the Omer is understood in Jewish tradition as the final day of a plague afflicting Rabbi Akiva’s students. What meaning can we find in that teaching this year, as COVID-19 continues to rage worldwide even as vaccinations in some of our nations crest toward safety?  Here are poems, reading, and artwork offering some answers to that question.

(We’re also working on a larger collection for Shavuot, and plan to release that soon, so stay tuned! You can find all of the Liturgical Arts Working Group’s offerings on our webpage here.)

 

Download the collection:

Bayit Liturgical Arts Working Group – Lag Ba’Omer [pdf]

 

 

Here’s a taste:

After a month of mourning Mom
I took myself to the beauty shop
for a manicure and a trim

readying myself — mostly —
to enter the world again…

— “Haircuts,” R. Rachel Barenblat

What will be the first thing I do?
Getting a haircut.
Taking the subway down to Sunset Park to get a facial
In a basement beauty shop next to 8th Avenue.
Hugging friends; dropping the mask…

— “The Mark,” R. Sonja K. Pilz

I don’t know anything about Lag B’Omer
Except what I read on Wikipedia
Which tells me a few different things it’s supposed to celebrate,
One of which is the end of a plague that killed 24,000 of Rabbi Akiva’s students.
And I can’t write about that today, our plague isn’t yet over.

I like to think about Akiva though,
Because I had a crush on him when I was a kid.
Still do, sort of…

— “What I Know About Lag B’Omer,” Trisha Arlin

Day one of the Omer, Chesed within Chesed (lovingkindness). We play outside, celebrate freedom with matzah pizza. Case counts are rising again here, and the new variant is more infectious and severe than last year’s. How worried should I be?

— “Lag Ba’Omer – An Omer Journal,” R. Dara Lithwick

And the image illustrating this post is from Steve Silbert’s beautiful drawing “Ready for the Grief to End.”

Download the collection:

Bayit Liturgical Arts Working Group – Lag Ba’Omer [pdf]

 

        

Poetry by Trisha Arlin, Rabbi Rachel Barenblat, Rabbi Dara Lithwick, Rabbi Sonja Keren Pilz. Artwork by Steve Silbert. Find all of our bios on the Builder Biographies page.

Reflections on Color the Omer

Four takes on one page.

 

When Color the Omer came out, we described it as “a tool for counting the Omer with mindfulness and beauty.” We invited folks to color each page while meditating on the text accompanying the image, and then to share a photo hashtagged #ColorTheOmer.

The first week of the Omer is the week of Chesed, lovingkindness. That was definitely our experience of this book’s release. We’ve been gratified and moved by the appreciation flowing our way in response to Color the Omer. So many people are reaching out to us to tell us that they love it and that it’s enlivening their Omer journey. Coloring is a co-creation process that starts with the pairing of words and illustrations and ends with whatever flows from the user’s mind and pen, and we love seeing the culmination of that creative flow.

The second week of the Omer is the week of Gevurah, boundaries, strength, and discernment. Shari remarked in week two that having these illustrations to color has invited new creativity — a perfect example of how gevurah helps creative flow flourish. A blank page reflects limitless possibility. That can be overwhelming. A page with lines to color between (or choose not to color between!) opens the door to a different kind of creative expression. 

The third week of the Omer is the week of Tiferet, harmony and balance. We’re finding harmony in the different ways people are using this book. Each approach to the book brings another note to the chord. 

We anticipated that everyone using the book would post their colored pages on social media. Some of you have been doing just that, and conversations are opening up on Facebook and Twitter and Instagram. Some are using the blank facing page as a space for journaling. Some are writing haiku. Some are experimenting with different artistic media for different weeks. Some are adding other texts to the colored-in page, either handwritten or digitally, before sharing. 

Many are drawing associations between each day’s image and the combination of sefirot that our mystics connect with each day. That’s been a surprise because we didn’t lay out the pages with those qualities in mind! Shari laid out the pages with numbered ones tied to their numbers (the crossing of the Sea of Reeds needed to be on the seventh day of Pesach, Lag Ba’Omer needed to be on the thirty-third day of the Omer) and then tried to “sprinkle” the Exodus ones, the swirly ones, the sparser ones, the nature ones, etc throughout the volume.

And — far more people have bought the book and have told us that they’re using it than are posting images on social media. It seems that a lot of people want to keep the contemplative creative Omer experience personal and private. That diversity of use and practice is another reflection of tiferet

We love that people are using Color the Omer differently than we expected. At Bayit we make a point of not holding too tightly to our imaginings of how people will use the tools we put out into the world. Holding that anticipation loosely means that we’re open to what people actually do and need, rather than what we imagined that people would do and need. 

Bayit’s work is rooted in design thinking. New ideas are brainstormed, prototyped, tested, and refined. We’re learning from how people actually use Color the Omer, and what we’re learning now will inform the next contemplative coloring book we release. (Yes, we already have ideas!)

What’s next? First up, the rest of this year’s Omer count — and we can’t wait to see what y’all will create with the remaining illustrations in the book. After that… we have visions of other contemplative coloring projects. We have other books (including a volume of divrei Torah illustrated by Steve Silbert, and an introduction to sketchnoting Jewishly). We can imagine new ways of using Color the Omer next year: book groups, Torah study groups, Hebrew school classrooms, Rosh Hodesh circles might choose to color together! For now, we’re delighted to be on this journey of color and creativity with all of you as we make our way again toward Sinai.

 

By R. Rachel Barenblat, Shari Berkowitz, and Steve Silbert.

#ColorTheOmer at ReformJudaism.org!

Jews customarily count the Omer during the seven weeks between the second day of Passover and the beginning of Shavuot, a process dating back to when ancient Israelites would offer an omer (an ancient Hebrew measure of grain) as a Temple sacrifice before consuming any of their crop. (Lev. 23:9-11, 15-16). After the Temple was destroyed in 70 C.E., Jews began reciting a blessing for each of these 49 nights instead, but for some Jews today, this process may seem outdated or cumbersome.

However, like every aspect of Judaism, there is an esoteric mystical component of counting the Omer that can deeply inspire Jews today. According to Rabbi Daniel Syme, Jewish mystics “[see] the period as joining the Jewish people’s physical (Pesach) and spiritual (Shavuot) redemption.” Shari Berkowitz and Steve Silbert embraced this mystical component by creating Color the Omer, a coloring book filled with illustrations and Jewish wisdom designed to engage Jews during this period with mindfulness and artistic expression.

Shari, Steve, and editor Rabbi Rachel Barenblat spoke with us about their new release and what they hope readers can glean from it this season.

ReformJudaism.org: Where did the idea for this book come from?

Shari Berkowitz: When the pandemic started, I took an online mysticism class with my rabbi, David Markus, and learned about counting the Omer as a spiritual practice. It was hard to keep track of time, and I needed a way to settle my mind, so I printed a grid of Stars of David and started coloring one section a night. That’s where I got the idea for an Omer coloring book.

I brought the idea to Bayit and am grateful that they took on the project. Working together with Rabbi Barenblat and Steve to connect deep text and creative visuals has helped all of us to learn and innovate Judaically.

What can people expect from this book?

Berkowitz: The combination of a focused prompt and accompanying image that pushes creativity will help the colorer connect with the ideas around the Omer in ways that are meaningful to them. The book explains how to count and offers 49 visual and textual prompts, and some of the drawings have 49 elements, like the fish swimming in the Sea of Reeds.

We hope each colorer will find meaning and beauty as they co-create each illustrated page with us by bringing it to life.

What are the therapeutic and spiritual benefits of counting the Omer?

Rabbi Rachel Barenblat: Contemplative coloring is an increasingly popular mindfulness practice, with good reason. Bringing color to a page can focus the mind, calm the heart, and bring joy to the soul. We’ve paired each illustration with kavanot (intentions/questions/thoughts) so that the colorer reflects on a spiritual question that will enrich their Omer journey.

From your perspective, how do self-care and Judaism intersect as a whole?

Steve Silbert: Much like keeping Shabbat is a deep form of self-care, hiddur mitzvah (beautifying a mitzvah) is another. Through contemplative coloring, we hope to bring a taste of Shabbat-like calm to each day of the Omer, and through making each page beautiful, we can practice hiddur mitzvah every day. And if any colorer turns this into a self-care practice that extends beyond the Omer, we will be very happy indeed!

How can this book serve and empower people, particularly during the COVID-19 pandemic?

Silbert: Isolation is a real challenge during this second pandemic spring. We hope that Color the Omer helps bring stability and comfort to those feeling isolated by establishing an engaging framework for study, introspection, and creativity.

We invite users to share their colored-in pages on social media with #ColorTheOmer and comment on each other’s work in the hope that we can build and deepen connectivity with each other.

What else do you want readers to know?

Silbert: Shari and I would like to thank Rabbi Barenblat for her editorial skills, but more importantly, for being a great partner in forming and re-forming ideas and visuals. We’re very excited to share this labor of our love of Judaism out in the world! We have ideas for other multimodal projects to bring to life and are already refining them.

 

Reprinted from ReformJudaism.org.

How To #ColorTheOmer

So you’ve got a copy of Color the Omer, and you’re wondering whether there’s a “right” way to use it. Here’s an answer from illustrator Steve Silbert:

instructions

If you don’t yet have a copy of Color the Omer, grab one now! Available on Amazon for $13.*

 

 

*About that. We know that some are boycotting Amazon during the week of March 7-14. We support Amazon workers’ drive to unionize: they deserve fair labor practices and meaningful pay. (Here’s a link where you can send Jeff Bezos and the Amazon board a letter about that.) Kindle Direct Publishing (owned by Amazon) is our mechanism for getting this beautiful book out, and we want it to be in your hands by Pesach so you can use it for the full Omer journey. We wish that there were more and better options to allow small / indie publishers and authors to publish and distribute books worldwide, and, right now KDP is what we’ve got. We don’t have answers to this conundrum. If you’re boycotting Amazon this week, we hope you’ll buy the book as soon as the week is out, and it should still reach you in time for you to color all 49 days

Color the Omer is here!

Mazal tov to Bayit builders Dr. Shari Berkowitz and Steve Silbert, whose collaboration brought Color The Omer to life and into print this week.

Here’s an awesome piece about the book at Sketchnote Army.

And here’s a blog post about the behind-the-scenes of how the book came into being, from founding builder R. Rachel Barenblat: Labor of love.

Read more about the book, glimpse a few interior images, and order a copy for just $13 USD on Amazon and its global affiliates!

 

The Lot of One Year: Liturgy, Poetry, and Art for Purim 2021

New from Bayit’s Liturgical Arts Working Group comes a collection of poems, prayers, and artwork for this pandemic Purim. Here are meditations on (the) last Purim, and on our many-layered losses; poems on our world turning upside-down, on what our masks reveal, on grief and playfulness, on Esther and on Zeresh, on vengeance and its limitations; another new Al Hanisim looking back on Purim miracles that haven’t yet arrived; illustrations (including a printable coloring page that can be turned into a gragger); and more.

Download the whole collection here:

The Lot of One Year – Purim 2021 [pdf]

 

 

Here are tastes of what you’ll find within. From the introduction:

One year ago, our lives changed.
Purim,
holiday of abundant joy, enjoyment, silliness, and care,
marks the watershed moment between what was once—normal—
and what has become our new life…

From “Last Purim 4,” R. David Markus:

…We didn’t know that weeks later, our area would be a covid epicenter with the nation’s highest death rate. We didn’t know that a year later, the building still would be locked – laughter and Esther trope faintly echoing, an empty Corona bottle on the piano, Purim decorations on the walls, frozen in time like a Twilight Zone episode, sackcloth and ashes for millions dead.

From “Hilchot Purim,” R. Sonja K. Pilz, PhD:

Anoint yourself
Take baths and showers
Let no one you love come close
For twelve months
Or more…

From “When Esther Went In,” R. Rachel Barenblat:

…When she went in, she didn’t know
how she would miss the coffee shop
with its all-day backgammon players
and hum of conversation…

From “Purim Poem #2,” Devon Spier:

…My breath smells of wine
My pockets are filled with
Bad long sentences and
Some ancestor I don’t know’s old crumbs…

From “The 9th Chapter: We Won and They Lost,” Trisha Arlin:

So what happens when we win?
Not by much
And in the nick of time
It so easily could have gone the other way
And though there’s more of us
There’s plenty of them
And they are cruel.
What to do?…

From “On Masks and Revelation,” R. Dara Lithwick:

…But once we had skin and sex and then gender and clothes
We organized into roles
That became rigid and unforgiving
All of us, divine light, now hidden, concealed
Under the burden of the masks we wear…

Download the whole collection here:

The Lot of One Year – Purim 2021 [pdf]

 

  Allie Fischman     

Liturgy and poetry by Trisha Arlin, Rabbi Rachel Barenblat, Rabbi Allie Fischman, Rabbi Dara Lithwick, Rabbi David Evan Markus, Rabbi Sonja Keren Pilz, and Devon Spier. Artwork by Rabbi Allie Fischman and Steve Silbert.

Connections: new liturgy, poetry, and art for Tu BiShvat

New from Bayit’s Liturgical Arts Working Group comes this interdisciplinary and pluralist collection of new work for Tu BiShvat, the New Year of the Trees.

Here are prayers and practices for solitary pandemic celebration, meditations on trees in urban settings, coloring pages for contemplative creativity, prayers looking ahead to the year 2030, and more:

“TU biShvat is an invitation to focus on the natural world surrounding us–and at the same time, it makes us aware of our connectedness to each other, to the flow of time and stories, to the flow of cyclical renewal, to the spiritual worlds. We remove the shells (literally) that protect, obscure, and incubate, step by step reaching toward inner sweetness. We use our sense to internalize those messages–maybe we plant things, too.

This year, connection also is digital–we use a digital ecosystem to supplement a natural one.  

This little machberet (this little “journal”) can be used simply as a reading resource, but it can also become, by means of a printer and a couple of crayons, a source of meditation, coloring, tapping into the flow, and celebrating the playful child in all of us that lies beneath the shells.

We play and draw and read and speak… about the very personal, the sensual, the broken, the sad, the budding, the blossoming, the growing, the changing… the healing. Together, may we root ourselves in connectedness.”

Download the whole collection:

Connections – Liturgy, Poetry, and Art for Tu BiShvat – Bayit [pdf]

Contents include:

Introduction

Birthday of the Trees, illustration by Steve Silbert

A Blessing: FOR PLANTING THE FUTURE, R. David Evan Markus

A Blessing: OF BIRTHDAYS, BREATH, AND BLESSINGS, R. Dara Lithwick

Fruit of the Tree, illustration by R. Allie Fischman

INSTRUCTION, R. Rachel Barenblat

A BLESSING FOR A TREE IN THE CITY, Trisha Arlin

A Tree in the City, illustration by Steve Silbert

FOUR TREES, R. Rachel Barenblat

Tree of Life, illustration by Steve Silbert

BREATHING OUT, BREATHING IN, R. David Evan Markus

TREE:  A GUIDED MEDITATION, Trisha Arlin; illustration by Steve Silbert

PREPARING, R. Sonja K. Pilz, PhD

TO 2030 / 5790, R. Dara Lithwick

Those Who Sow in Tears will Reap in Joy, illustration by R. Allie Fischman

ZOONOSIS, R. Sonja K. Pilz, PhD

Connected, illustration by R. Allie Fischman (also seen above)

ROOTING, R. David Evan Markus

MAPLE MY LOVE, R. Dara Lithwick

Maple, illustration by R. Allie Fischman

 

Download the whole collection:

Connections – Liturgy, Poetry, and Art for Tu BiShvat – Bayit [pdf]

 

  Allie Fischman      

Liturgy and poetry by Trisha Arlin, Rabbi Rachel Barenblat, Rabbi Dara Lithwick, Rabbi David Evan Markus, Rabbi Sonja Keren Pilz. Artwork by Rabbi Allie Fischman and Steve Silbert.

Great Miracles Happen Here: Liturgy, Poetry, and Art for Chanukah

Illustration by Steve Silbert

This new collaborative offering from Bayit’s liturgical arts working group comes to bring light in dark times. Here you’ll find new liturgy (including an “Al HaNisim” looking back on the miracles we haven’t yet lived into being, and a “Hanerot Hallalu” for this pandemic year), evocative poetry (on finding light without a chanukiyah, on kindling lights alone, on the windows where we light our lights and the Zoom windows where the pandemic allows us to gather, and much more), and meditations on Chanukah through all five senses, all accompanied by heart-opening artwork. This collection was co-created by Trisha Arlin, R. Rachel Barenblat, R. Dara Lithwick, R. David Evan Markus, R. Sonja Keren Pilz, R. Jennifer Singer, Steve Silbert, and Devon Spier, and is intended for use by individuals and communities across and beyond the denominational spectrum.

Download the whole collection:

Great Miracles Happen Here: Liturgy, Poetry, and Art for Chanukah [pdf]

 

Above you can see a glimpse of one of the illustrations. Here are tastes of a few of the poems, prayers, and meditations contained in this collection:

From “Hanukkah Poem #1,” Devon Spier:

i figure the day before Hanukkah
is the right time to begin
a new time
in inhuman history…

From “Hanerot Hallalu for 2020,” by Rabbi Dara Lithwick:

This Chanukah we honour those whose light has shone throughout the challenges of the COVID-19 pandemic, the helpers who despite the tohu and bohu, the chaos and confusion, trauma, fear and disinformation have served and continue to serve, illuminating our communities by their commitment and caring…

From “Al Hanisim: Future Miracles Unfolding Now, ” by Rabbi David Evan Markus:

In the days of Stacey Abrams, Jacinda Ardern, William Barber, Anthony Fauci, Ruth Bader Ginsberg, John Lewis, Greta Thunberg and Malala Yousafzai, peoples of the Earth had forgotten Your teachings and transgressed Your ways of justice. Greed corroded truth. Ignorance mocked science. Fossil fuels burned without end, defiling Your temple of nature. Zealotry and corruption flourished, defiling Your temple of democracy…

From “Rededication,” Rabbi Rachel Barenblat:

It’s not like the Temple, sullied
by improper use and then washed clean
and restored to former glory.
This house is tarnished by familiarity…

From “My Maccabees,” by Trisha Arlin:

…This year
My Maccabees
Wore masks
Washed their hands
Kept their distance
Stayed home…

From “Chanukah of Stars,” Rabbi Jennifer Singer:

The year I had no hanukiah
No candles
Not even a match
Because I had let the last cigarettes crumble in a drawer…

From “Second Calendar,” Rabbi Sonja Keren Pilz:

There is a Jewish calendar for those who came late.

Until Tuesday afternoon,
One might prolong the shabbes
For all those still in need
Of a second soul…

 

Download the whole collection:

Great Miracles Happen Here: Liturgy, Poetry, and Art for Chanukah [pdf]

And find all of our liturgical collaborations here: Liturgical Arts for Our Time.

 

    

Liturgy and poetry by Trisha Arlin, Rabbi Rachel Barenblat, Rabbi Dara Lithwick, Rabbi David Evan Markus, Rabbi Sonja Keren Pilz, Rabbi Jennifer Singer, and Devon Spier. Sketchnotes by Steve Silbert.

Ushpizin: liturgy for Sukkot in time of covid

Sukkot this year will be unlike any other. Some of us won’t be able to safely build a sukkah; others will find in the sukkah the outdoor safety that indoor ventilation doesn’t provide. What does it mean to invite ancestors when we can’t invite guests in person? With what, or whom, (or Whom!) are we sitting when we dwell in our sukkot this year — whether our sukkot be literal or metaphorical? What structures can we build liturgically and spiritually to protect us in these vulnerable times? Four liturgists from within and beyond the denominations collaborated on this set of offerings from Bayit to accompany us through this year’s festival. Here are excerpts; you can download the whole collection at the end of the post.

 

0. This Year’s Sukkah – With Words, by Rachel Barenblat and David Evan Markus, with illustration by Steve Silbert:

We build this year’s sukkah with words. Our words keep us company.  We read the words of this Teaching: this Teaching gathers us in…

1. Invitation to the Builders / Invitation to my Virtual Sukkah by Trisha Arlin:

…You are invited,
Builders of our past sukkot
In the backyard, the park, the roof:
Every year
You put up the walls
You hung the decorations.
Where are you this week?…

2. Far Away So Close by Rachel Barenblat:

…How can I welcome Abraham
and Sarah, David and
Rachel, when I can’t welcome
my own neighbors?…

3. UnSukkah by David Evan Markus:

We don’t build our sukkah with nails
Sharply hammered into sturdy place.

We don’t build our sukkah with roof shingles
And sustainable solar panels for midnight light…

4. In the Open by Sonja Keren Pilz:

Vulnerable
Under the open sky.

The air gets thinner;
Canadian geese fly by…

5. Sitting in Emptiness by Trisha Arlin:

On Sukkot, we sit in the sukkah:
In an empty room
Porous walls
Holes in the ceiling
No door…

6. Sit With Me / Not Alone by Rachel Barenblat:

…The safest companion in times of covid:
Myself. Or you, Holy One:
dressed for the season in worn jeans
and flannel shirt, and maybe flip-flops
reluctant to let summer end…

7. Sitting neither Here nor There by Sonja Keren Pilz:

We used to sit, huddled together,
Sharing blankets, often too cold.
We used to drink,
Hot tea or cider,
Passing the water, the soda, the coke…

8. Tomorrow Again (for Shemini Atzeret) by David Evan Markus:

This is the breezy feeling I hope to remember
Starting tomorrow when beginning begins again

Pulsing reborn from the jumble of these many months
Left on pandemic ground to decay as pungent compost

For the first daring shoots of next year’s who-knows…

9. Simchat Torah, by the ensemble together:

We dance by ourselves.
We dance in our living rooms with Sefaria on our phones.
We dance in the falling rain.
We dance cradling toddlers, or dogs, or emptiness…

Download the whole collection here: Ushpizin [PDF]

 

Prayers by Trisha Arlin, Rabbi Rachel Barenblat, Rabbi David Evan Markus, and Rabbi Sonja Keren Pilz. Sketchnote by Steve Silbert.